The look and feel of this campaign might be good, but there are too many problems. Disregarding the intro, which is unnecessarily long and pointless, and odd because there are no vehicle sound effects, we start off this campaign immediately fighting TWO tanks. With everyone having only single pistols and no items. There's a pistol and a single SMG by the start. On top of that, the medkits require an event just to access them. Why anyone thought this was a good idea, I can't even venture a guess. The maps are long to the point of tedium and have many broken aspects. There are countless doors that just don't open, leading us to question why they're even there, and the way forward is usually through some random door you just have to guess at. The elevator button also isn't lit, so I guess you're expected to try 'use' on everything. As someone else pointed out, the ladder leading down to the sewer in map 1 is broken, leading to people's instant incap unless you hold 'use' to help the person get up. The art museum in maps 1 and 2 is actually extremely detailed and was the best thing about it. It's clear that a lot of attention to detail was given here, which is baffling considering how terrible the directionality is. . Map 2 begins much like the first, in that there's a tank that spawns once you open the saferoom door and guess what? You can't shut it once it's opened. Map 2 has a misdirect bridge that leads to a barricade that one would assume blows up, but it's just a dead end, so basically it was pointless except in trying to confuse you. The gauntlet (or whatever) from the alarm door is one of the worst things in the campaign. There is zero directionality here and there are arrows that intentionally point in the wrong direction. Also, I can't for the life of me figure out why the author felt the need to throw in a zillion CEDA zombies, or why there was no way to disable the alarm. There is a trap in this section too, which can lead you all the way back to the start. I have no clue how we made it out of there because the actual path is not highlighted or indicated in any way. In fact, that's a big problem with the campaign on the whole: there aren't enough lit objects or Game Instructor messages telling you about objectives or even just where to go. Then there's the notorious broken door. Once you've gone up the elevator and reach the skybridge, you actually have to close a thin set of double doors that you walked through before the doors on the opposite end of the skybridge will open. This is completely counter-intuitive, and we thought we had to actually jump out of the skybridge. The only reason we figured this out was because a bot eventually closed the doors for us. Why did that have to be there? The third map was the best by far, as it emphasized good gameplay above other aspects, although it looked drab and dreary, just like parts of the other maps. I suppose some people might have some problems with the roof with the instant kill ledge. . That brings us to the glorious finale, which is so bad I can't believe it. There are actually at least three different endings. The finale starts off with quite a big first half, then you hold out in a really bad location, then run across a bridge to reach some buttons by a door; push them, climb a ladder, then go through a door and wait for the helicopter. Done, right? WRONG! If you do that, you'll be treated to a cinematic that's so silly that it's impossible to take seriously, showing the helicopter crashing before it reaches you (again with no sound effects), because apparently you have to lower some second bridge and the pilot is too drunk to pilot the chopper away from it. So you have to do it again, this time making sure to note a weird house-looking thing along the bridge. You climb up a ladder to it, loop around to find some random house with an old lever that doesn't look like it does anything, then do everything else as normal, and you'll be treated to...no cinematic or anything once you reach the top, just a credit sequence (oh yeah, and naturally it's possible to break the finale area through various jumps). But apparently that's not even the real ending. What you're somehow SUPPOSED to know is that by the fallen helicopter in the first half of the map, even before the bridge, there's a bar with red lights inside. Behind the counter is a button that activates an elevator; go down it and follow it to its end (being careful not to get insta-killed by the ledge in the sewer) to reach a de-lousing chamber. Again, you're treated to no cutscene or cinematic, just a credit sequence. Yay. . That's not even mentioning the horrendous music and annoying voice acting that goes on throughout the campaign. It's possible that all the instructions you need to know are delivered via the narrator, but the voice is so bad and the fact that it plays bad music for long stretches of time is even more aggravating. There's really nothing worse than playing a campaign that forces you to listen to shitty music. So, obviously you'll play with the music off, which means you'll inevitably miss out on commentary on what you're doing. To be fair, this is probably only essential in a few places (I say probably because I don't know, I don't play with music on), but it seems as though the author is assuming everyone has their music on and therefore left vital information in annoying sound recordings. . Even if this were a 100% accurate recreation of a real place, this is not a fun campaign. There are too many bullshit moves (tank spawns), too many broken things (doors and ladders), very few important items are highlighted, Game Instructor messages are almost non-existent, too many annoying sound clips, and a secret ending that realistically hardly anyone is going to find on their own. This makes for a bad campaign. The only map that feels fun is "Act 3" because it actually has decent directionality for the most part. The rest is just contrived, pointless, tedious, annoying, and confusing. Again, I liked the art museum, a lot, actually. But looks aren't everything, and this campaign suffers greatly from things that go beyond mere looks, such as map layout, lighting direction, and events. The author has a certain gift for making environments look pretty good, but on a fundamental level, the basic architecture of and ideas behind the maps are flawed. Also, this campaign needs to have its wheat separated from the chaff, because the maps go on for far too long. In my opinion, it definitely needs a lot of reworking. . tl;dr: Not recommended unless you're looking for a needless struggle.